Some may not accept this story and consider cashmere's birthplace (Termeh's birthplace) to Central Asia and the Highlands of Kashmir. "Where is cashmere's birthplace (Termeh's birthplace?)". If we review the handwoven and any of the other branches of Indian handicrafts, we can easily understand that Indians have used Buddha statues, Indian special architecture or animals such as elephants, tigers and other Indian symbols in terms of their religious status and living conditions, while in cashmere of Kashmir texture only the specific design and role of Iran such as The Jagheh Badami can be seen and this is a strong reason. Being Iranian is cashmere."
In the Persian language, cashmere calls Termeh
Termeh weaving, like many other handicrafts, peaked during the Safavid era and termeh became one of the export products of Iran. In the photographs and paintings of Qajar time, the use of cashmere can be seen a lot. This fabric is mostly in the clothes of men and women and of course in the form of decorative applications such as bedsheets, tray covers, cashmere tablecloths, all kinds of bathroom bags, bags, curtains and sajada, etc. These days, cashmere fabrics are mostly used for sofas, backs and tablecloths, and jewellery, and unlike the past, which was monopolized by nobles and kings, today the middle classes of society use cashmere and it is used for gifts at weddings, holidays and ceremonies.
For cashmere texture, they use high-quality white silk and wool with long fibres. After the wool has turned white enough, it is usually dyed in jujube, red, green, orange and black. When the world had not yet become machined and automatic and the "Jacquard" machine had not come to Iran, weavers with their delicate and narrow fingers wore fine and complex designs, and at the end. the weaver's name was written in the corner of Termeh until a weaver named Reza Turk used "Mako" for cashmere weaving.
In the past, cashmere was weaved in narrow pieces and according to its application in different sizes, which are called shawls, and then these pieces were sewn together from behind so that they looked monolithic. The most famous role and design of termeh is "Boteh Jegheh", followed by "Shakh Gavazni" (Deer Antler) and "Gol Shah Abbasi" (Shah Abbasi Flower). When they weaved cashmere with jacquard because it was not possible to change and rotate the design, new designs would not be woven, and sometimes a role would remain on the machine for two to four years.
Today, machine cashmere is woven in the form of 30 to 40 meters cannons. Plant colours have been replaced by chemical dyes, and instead of cashmere designed and woven by the worker, electronic jacquards have come to make it easier to work. Now cashmere is woven in semi-industrial form. Of course, these changes are obvious in the 21st century and the era of technology, and in order to develop and build, we need to keep pace with the new era, because it is quite clear that traditional cashmere production could not respond to today's market!
After the story of the production of cashmere, it is good to know how to take care of this precious fabric: Cashmere fabric is vulnerable to light and humidity with all its strength and resistance. If you have a cashmere tablecloth, never put it where it is exposed to the sun, because it pales. This fabric is sensitive because of its silk, so the best way to wash it is to leave cashmere to dry cleaning or steaming.
But if you want to wash your desktop or sajada at home or jewellery, hang it in the open air first and tap gently to get the dust out of it, then soak it with lukewarm water and gentle detergent that doesn't have enzymes or bleach and wash carefully without grabbing. To dry the cashmere, dry it horizontally and in an open environment. If you want to iron cashmere, be sure to iron on a cotton cloth and from behind.